Tales of Ordinary Madness (Italian: Storie di ordinaria follia, French: Contes de la folie ordinaire) is a 1981 film by Italian director Marco Ferreri. It was shot in English in the United States, featuring Ben Gazzara and Ornella Muti in the leading roles. The film's title and subject matter are based on the works and the person of US poet Charles Bukowski, including the short story The Most Beautiful Woman in Town (published by City Lights Publishing in the 1972 collection Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness). The film's protagonist, Charles Serking, is based on Bukowski's autobiographical character Henry Chinaski. At the time, the director Taylor Hackford owned the rights to the Chinaski name, having acquired them when he optioned Bukowski's 1971 novel Post Office. The film follows the meandering (sexual) adventures of the poet and drunk, Charles Serking, laying bare the sleaze of life in the less reputable neighborhoods of Los Angeles. Serking's life takes a turn for the better when he meets Cass, a young hooker with self destructive habits. They have a stormy relationship. When Serking gets an offer from a major publishing house, Cass tries to stop him from leaving, but fails. Serking gives in to the temptation of the big bucks, but soon realizes his mistake and returns to L.A only to find that Cass has killed herself in his absence. Devastated, he hits the bottle in a nightmarish drinking bout, but finally reaches catharsis and returns to the seaside guesthouse where he spent his happiest moments with Cass. It is here that he rekindles his poetry with the aid of a young admirer in one of Ferreri's trademark beach scenes.

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Tales of Ordinary Madness (1981)

Unrated

Drama · 1h 42m · 2/23/1999

    
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Description

Tales of Ordinary Madness (Italian: Storie di ordinaria follia, French: Contes de la folie ordinaire) is a 1981 film by Italian director Marco Ferreri. It was shot in English in the United States, featuring Ben Gazzara and Ornella Muti in the leading roles. The film's title and subject matter are based on the works and the person of US poet Charles Bukowski, including the short story The Most Beautiful Woman in Town (published by City Lights Publishing in the 1972 collection Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness). The film's protagonist, Charles Serking, is based on Bukowski's autobiographical character Henry Chinaski. At the time, the director Taylor Hackford owned the rights to the Chinaski name, having acquired them when he optioned Bukowski's 1971 novel Post Office. The film follows the meandering (sexual) adventures of the poet and drunk, Charles Serking, laying bare the sleaze of life in the less reputable neighborhoods of Los Angeles. Serking's life takes a turn for the better when he meets Cass, a young hooker with self destructive habits. They have a stormy relationship. When Serking gets an offer from a major publishing house, Cass tries to stop him from leaving, but fails. Serking gives in to the temptation of the big bucks, but soon realizes his mistake and returns to L.A only to find that Cass has killed herself in his absence. Devastated, he hits the bottle in a nightmarish drinking bout, but finally reaches catharsis and returns to the seaside guesthouse where he spent his happiest moments with Cass. It is here that he rekindles his poetry with the aid of a young admirer in one of Ferreri's trademark beach scenes.

Release Country

United States

Barcode

014381478228

Release Date

2/23/1999

Audio

  English     

Studio

Image Entertainment

Video Format

NTSC

Aspect Ratio

1.78:1

Discs

Cast
Person Photo

Ben Gazzara

Charles Serking
Person Photo

Ornella Muti

Cass
Person Photo

Susan Tyrrell

Vera
Person Photo

Tanya Lopert

Vicky
Person Photo

Roy Brocksmith

Barman
Person Photo

Katya Berger

Girl on beach
Person Photo

Hope Cameron

Hotel proprietor
Person Photo

Judith Drake

Widow
Person Photo

Patrick Hughes

Pimp
Person Photo

Wendy Welles

Runaway
Person Photo

Stratton Leopold

Publisher
Person Photo

Carlo Monni

(scenes deleted)
Person Photo

Lewis E. Ciannelli

Policeman (uncredited)
Person Photo

Ted Rusoff

Priest (uncredited)
Crew
Person Photo

Marco Ferreri

Director
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